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I am challenging myself to post here at least once a week. Thank you to all of you who “liked” my site. It means a lot to me. I will travel to Italy and Paris at the end of March and so I’m excited to share that trip with you. I’m hoping to get to Giverny this trip to paint in Monet’s garden. I’ll keep you posted. I’m also considering visiting Amerstem, the home of Rembrandt and other old master painters.

Until then, I’m very busy in my studio finishing up old paintings. I started five new paintings and I will post them as I finish them. I’m working in series now, old masters portraits and full bodies, pears, images of France, etc. I’m learning tons about how to be patient about drying times of each painting. This enables me to set aside painting to dry and take out another that is in need to be finished. Because drying time allows the paint to get tacky it allows a new layer to sit firmly. I found this stage incredibly effective when you're trying to place lights to dark.

The dark paint underneath doesn’t absorb the light layer as easily. A major problem I have had over the years is getting bored with the painting just before it is finished and walking away from it. Choosing the subject and starting the drawing for a new painting is one of the more exciting parts of my painting practice. I take time to muddle over what type of painting I want to do, as well as which medium I will use. The size and shape of the canvass are very important to me. I tend to paint on large canvasses and I have fun drawing full bodies both with the paintbrush and graphite. I have been told repeatably by one of my professors that one can not become a proficient or master painter without knowing how to draw first. Over the years, most of my sketches have been done rather obscurely and quickly with a paintbrush dipped into a very thin solution of raw umber or burnt sienna straight onto my canvas. So, that’s it for now. Time to paint. I have challenged myself to paint eight hours every day and finishing everything I start. Wish me luck.

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Claudia Dionne

Claudia Dionne is a Midwest artist recognized for her oil paintings in portraiture and still life. She paints with an impressionistic flair and a saturated color palette on canvases of all sizes, with a particular affinity for larger pieces. Her work depicts a variety of subject matter and exemplifies a painterly approach. Her appreciation for brush control and technique stems from her earlier work in photography and her experience with Eastern painting, Sumi pen and ink.

Since beginning her study of oil painting in 1994, Claudia has mastered her skills by attending top-tier art institutions and holds a degree in Fine Arts degree in the US. Her paintings hang in galleries and private collections throughout the US and Canada.

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Venice, Italy, 2019

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My Travels to France